Perahia wins in a new category: the "Piano Award." And in choosing Abbado's recording of "Fidelio," critic Richard Osborne writes:
"The revised dialogue provided by stage director Tatjana G?rbaca is not without controversy. In Act 1, her cuts and rewrites remove all hint of domesticity and private affection; in Act 2, she omits just about everything. The result is Beethoven?s lofty Singspiel recast as musical meta-theatre. Happily, the cast is as fine as any that might be assembled today and Abbado himself conducts a performance the like of which we have not heard since the time of Furtw?ngler. It is a no-frills yet at the same time deeply expressive reading which goes like a bolted arrow directly to the heart of the matter. If Fidelio speaks as no other opera does of the miraculous resilience of the human spirit, Claudio Abbado?s late re-creation of it serves only to compound that miracle."-- David Stabler
Source: http://www.oregonlive.com/performance/index.ssf/2012/09/gramophone_awards_2012_to_pian.html
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